|
|
OPERAzzi
|
October 1, 2008
|
|
There is a lot going on as we swing into fall! Here at the DMMO office, we are hard at work planning for auditions, Wine & Food Showcase and OPERA Iowa's 23rd annual tour and the world premiere of A Dream Fulfilled: The Saga of George Washington Carver. (You can book a performance of A Dream Fulfilled or The Barber of Seville in your community! Contact Michael Egel for more information.) There are also several wonderful recitals and performances coming up...keep reading for details.
|
|
|
|
Mark Your Calendar Today--The Subscription Renewal campaign begins. Renew your subscription to lock in your seats early! November 3--Subscriptions go on sale to the general public. Purchase tickets to all three 2009 productions to save money and get the very best seating selection! February 1, 2009--The final dress rehearsal of OPERA Iowa's touring production of The Barber of Seville will be a 1:30 matinee at Hoyt Sherman Place Theatre. February 20, 2009--Wine & Food Showcase, central Iowa's largest unlimited food and beverage tasting event, is back at the Downtown Des Moines Marriott!
|
|
|
Renew Your Subscription for the 37th Festival Season
|
|
Our annual subscription renewal process is underway through October 31. Current season ticket holders can renew their subscriptions beginning today. There are several easy ways to renew your subscription: You'll want to lock in your seats for the 2009 season before anyone else has the opportunity to purchase them, so don't wait to renew your subscription! As always, subscribers have a number of benefits, including ticket exchange privileges, that aren't available to single ticket buyers. Once you've renewed, you'll rest easy knowing that you've secured your favorite seats for our productions of Tosca, Der Freischütz and The Barber of Seville.
|
|
|
Des Moines Metro Opera's Guild
|
|
DMMO's Guild boasts three chapters: one in Ames, one in Des Moines and one in Indianola. Throughout the year, our Guild plans many events, lectures and fundraisers for the opera-lovers of Central Iowa, in addition to regular monthly meetings. The Des Moines chapter will meet on Monday, October 6, in the Mansion at Wesley Acres for their first meeting of the year. Members and newcomers will enjoy a performance by classical guitarist Aaron Powell and conversation. Future meetings will be held on the second Monday of each month in the Mansion at Wesley Acres. The Ames chapter will meet at St. John's Episcopal Center on Tuesday, October 14. DMMO's former Executive Director Jerilee Mace will reflect on the Company's first 35 years. The meeting will begin at 7:30 pm at St. John's Episcopal Center. The Ames chapter meets each month on the second Tuesday. The Indianola chapter will gather at Nancy Baethke's home on Tuesday, October 21 at 7:00 pm for a preview of The Barber of Seville given by DMMO's Artistic Administrator, Michael Egel. For directions to the Baethkes' home, contact Nancy Lickiss at (515) 961-8219. For more information about joining the Guild, contact the DMMO office or one of the membership chairs listed below: Ames--Jane Farrell-Beck Des Moines--Joan Burke Indianola--Elizabeth Winjum
|
|
|
Getting Comfortable with Der Freischütz
|
|
|
Carl Maria von Weber
|
"There never was an opera that was so intimately bound together with the loves, feelings, sentiments, superstitions, social customs and characteristics of a nation and it's people as Der Freischütz is to the Germans." --Richard Wagner When it was first performed in 1821, the success of Der Freischütz overthrew the long-held Italian monopoly on German theatres. Within a few months, the opera was being performed across the European continent and acclaimed as an epoch-making event in music. Here at last was a visceral and theatrical opera that was completely German and owed nothing at all to the Italian and French traditions. It was the operatic masterpiece of its composer, Carl Maria von Weber (1786-1826). Mixing the supernatural and demonic with characterizations of earthy peasant life, Max's trial in the shooting scene was viewed as not just the triumph of good over evil - it was the triumph of the German spirit. This was a nation that was still struggling to create its own united national identity. Der Freischütz is based on an old German tradition that seven unerring bullets may be obtained by selling one's soul to the Demon Hunter. Redemption can only be achieved by providing another victim within the appointed term. It has always been a popular favorite in Germanic countries. There is charm in its fresh melodies while the sophisticated listener will enjoy the romantic flavor for that period and notice the novelty of Carl Maria von Weber's approach and orchestration. The musical depiction of the haunted Wolf Glen's scene remains one of the most engrossing creations in all German opera and one of the greatest examples of Romantic scene painting before the middle works of Richard Wagner. The rousing Hunter's Choruses that occur throughout the opera are popular and familiar.
|
|
|
Shop DMMO's Boutique Online
|
|
Need a gift for a birthday, anniversary or other special occasion? DMMO's Opera Boutique is online to make shopping from home easy and convenient! You can find DMMO's Anniversary Book, coffee mugs, umbrellas and more. All orders are shipped directly from DMMO to you!
|
|
|
Opera in Review: The Ukrainian National Opera
|
|
|
The program cover
|
by DMMO subscriber, Bill Smith Bal Maskerad - G. Verdi An extra day in Kyiv? [or Kiev, if you prefer the Russian version to the Ukrainian]. What to do? My Kyivan friends suggested going to the Opera: "At least it's a wonderful building." It is a glorious building; a classic grand opera house built in 1901 with four decks of balconies in an ornate eastern European style. Its proscenium stage is one of the largest in Europe. The wonderful building is home to a terrific opera company. And a ballet company too, but that will have to wait for another visit. Both are great cultural choices for travelers who do not speak Ukrainian. Between the opera and ballet, the building is busy 5 or 6 days a week. The opera offerings are a mix of western and Russian classics, as well as Ukrainian and Russian works that are less familiar to us. The Company's repertory is extensive - the September and October playbills (view them online at http://www.opera.com.ua/index_en.html) list over a dozen operas. After a Saturday walk around the city in a mild drizzle, I reached the box office about 45 minutes before curtain. The second tier tickets [$35] were sold out, so I splurged for the most expensive seat, which proved to be front row on the aisle for the equivalent of about $40 - state subsidies can do marvelous things! If I had better [or any] language skills, I might have saved a few hrivny - tickets start at about $10. I had a really unique experience leaving the box office. A smartly dressed woman said, with a slight accent, "Excuse me, could you help me buy a ticket?" She was asking for money, not help with the transaction. I've been hustled in major cities across America ["Hey, my car broke down/I need a beer/my kids are hungry, can you help me out . . ."], but this was the first time I've been hustled for an opera ticket. I made a small contribution to international culture, but still had mixed emotions when I saw this woman seated just six rows behind me in the ‘parterre'. I was seated next to another business traveler, a young man from Barcelona. He shared his program - I originally didn't buy one (they cost about $3) until I saw that it had an English synopsis, which supplemented my memory of A Masked Ball from the Des Moines production in July, 2008. The program also contained a full libretto in Ukrainian. Supertitles were provided too, but I can't read the Cyrillic alphabet fast enough, and wouldn't understand much anyway. Oh, the performance? Brilliant music came from a 70-piece orchestra that emphasized Verdi's rhythms. The singers were anyone's match, and the characters were well presented. The costumes were lavish, with lots of cockades, swords, sashes and braid. The sets were elegant, with terrific trompe l'oeil effects that made the palace look spacious, and lighting that accentuated the mood of Ulrica's witchy lair and the midnight scene with gallows very much in evidence. The staging highlighted a difference from the Des Moines Opera style: in the Kyiv production most of the arias and other longer passages were sung with minimal movement; Dr. Larsen's direction emphasizes continuous acting throughout these moments. It was a thoroughly delightful evening, and a reminder that the arts can offer a home in an unfamiliar city. For pictures of the Opera House, see http://www.opera.com.ua/ and http://kievukraine.info/opera_house.htm
|
|
|
The Met Live in HD: Salome
|
|
|
Karita Mattila
|
Salome by Richard Strauss Saturday, October 11, 2008 (12:00 pm CT) Wednesday, October 22, 2008 (7:00 pm CT) Running time: 1 hour, 37 minutes. Karita Mattila caused a sensation when she sang Salome at the Met for the first time in 2004. She reprises her stunning interpretation of the part, including her unforgettable Dance of the Seven Veils. Conductor: Mikko Franck; Production: Jürgen Flimm; Karita Mattila, Ildikó Komlósi, Juha Uusitalo, Kim Begley, Joseph Kaiser
|
|
|
Upcoming Music Events
|
|
There are several events coming up in the next few weeks that you won't want to miss! Support the arts in Central Iowa by attending one or all of the following: The Friends of Drake Arts invite you to a recital given by the Edwin Earle Ferguson Guest Artist, soprano Cheryl Studer on Saturday, October 4 at 8:00 pm. The recital will take place on the Jordan Stage in the Sheslow Auditorium in Old Main on the Drake University campus. The program will feature works by Brahms, Rossini, Barber, and Richard Strauss. A reception will follow in Levitt Hall. Tickets are $15 or $5 for students, senior citizens and those with a Drake ID. Call 515-271-3841 for reservations. The Simpson College Department of Music will present a double bill of Arthur Benjamin's Prima Donna and Gaetano Donizetti's Il Campanello on Friday and Saturday, October 10 & 11 at 7:30 pm and Sunday, October 12 at 2:00 pm. These productions feature student casts with musical direction by Dr. Robert L. Larsen and dramatic direction by Kimberly Roberts and Bruce Brown. Performances will be held in Lekberg Hall in Simpson College's Music Buildging and tickets are just $12 each. Call (515) 961-1637 before October 8 for reservations. The world premiere of The Sparks Fly Upward will be on Saturday, November 8 at 8:00 pm at Hoyt Sherman Place Theatre in Des Moines. The Sparks Fly Upward is a musical drama that follows three German families in Berlin, two Jewish and one Christian, through the Holocaust, beginning in the autumn of 1938 with the events building up to Kristallnacht. Between 1938 and the end of the war in 1945, the families struggle to outlast Hitler. Throughout the story, the three families turn to the Book of Job for reassurance and enlightenment. The suffering of Job, and the contest between good and evil represented in his story, are reflected in the lives of the German Jewish community, and in their non-Jewish neighbors, who face the immediate question of man's obligation to man in times of moral and political crisis. The story is told completely through music and lyrics and was researched, written and composed Cathy Lesser Mansfield. Visit their website to learn more and to buy tickets.
|
|
We want to hear from you! Do you want to share a review of a performance you've seen or a book you've read? Are there things you want to learn about next summer's operas? Something you've always wanted to ask about DMMO or about opera in general? Send an email to McB Smith at msmith@dmmo.org with questions, ideas for articles, or stories that you'd like to share.
|
| |